Costume designer Brigitte Reiffenstuel, set designer Charles Edwards and lighting designer Paule Constable realised by Catherine Alexander bring to life Gounod’s grand opera Faust for Opera Australia. Soprano Irina Lungu, tenor Ivan Magri and bass-baritone Teddy Tahu Rhodes create a formidable trio of soloists with a luxury cast of supporting soloists, the Australian Opera Chorus, the Australian Opera Orchestra, dancers and actors. The opera’s last run in Sydney in 2015 was so popular that an extra performance was added. Scroll down to see all 6 images from the production. which runs at the Sydney Opera House on selected evenings with one matinee, until March 11.
Sydney audiences are by and large generous in their applause even if they don’t approve of the performer or the production. ‘Boos’ are rarely, if ever heard, sometimes tongue-in-cheek, when the villian of the piece takes his curtain call. The most emphatic expression of audience disapproval is to leave at interval. Other ‘houses’ are different. A new…
Congratulations to all the nominees in the 2015 ARIA Fine Arts and Artisan Awards. The results will be announced at a ceremony on Wednesday 7 October. ‘Classical’ albums and artists received nominations in the following categories: Best Classical Album Amy Dickson – Island Songs (ABC Classics / Universal Music Australia) Australian Brandenburg Orchestra – Brandenburg…
Hyeseoung Kwon as Fiordiligi. Image Jeff Busby Terrific news from soprano Hyeseoung Kwon who has announced that she will be singing the role of Cio-Cio San in the Raymond Gubbay production of Puccini’s Madame Butterfly at the Royal Albert Hall in early 2015. Hyeseoung Kwon covered the role for Opera Australia in 2012 and she…
Pianist Steven Osborne presents his insights into Olivier Messien’s Quartet for the End of Time, a landmark work for piano, clarinet, violin and cello, composed whilst Messiaen was an inmate of a Nazi prisoners of war camp and premiering in that camp in 1941, performed by Messiaen and three other prisoners.
Congratulations to tenor Manase Latu (23), who won the 2019 Marianne Mathy Scholarship (‘The Mathy’) in the IFAC Handa Australian Singing Prize, as well as the Sydney Symphony Orchestra Prize with his performance of Tradito, Schernito from Mozart’s Così fan tutte. As part of The Mathy, Manase Latu also received Lyric Opera of Chicago’s Ryan…
Wynton Marsalis’ Blues Symphony (Symphony No. 2) is now available exclusively on digital platforms.
Performed by the The Philadelphia Orchestra under the conducted by Cristian Măcelaru, the piece is a celebration of the blues refracted through the prism of American history and folklore.