Free to a good home – when pianos pass their ‘use-by’ date

This somewhat heartbreaking feature in the New York Times looks at the increasing costs of maintaining a quality piano, and the disposabiity of lower end instruments:

This somewhat heartbreaking feature in the New York Times looks at the increasing costs of maintaining a quality piano, and the disposabiity of lower end instruments:
‘Papa’ Haydn earned his nickname for fostering instrumental works – symphonic and chamber. Yet, it’s often forgotten that he wrote as many as 15 operas. Read more from Tom Service.
Milan’s Teatro alla Scalahas named Daniel Barenboim as its next music director. The post has been vacant since the departure of Ricardo Muti in 2005. Barenboim has been principal guest conductor a the theatre, and takes up the permanent post in early December, in time for the opening of the season, traditionally held annually on…
The Hamburg State Opera has announced a new team to lead the company from 2015 when the contract of Simone Young comes to an end. Japanese American maestro Kent Nagano, music director of the Orchestre Symphonique de Montréal and of the Bavarian State Opera will take on the roles of principal music director and principal conductor…
The Sydney Children’s Choir is recruiting new choristers aged 6-16 to join them in 2014. Founded in 1989 by its present Artistic Director Lyn Williams OAM, the choir is highly regarded for its performance standards and training of young singers. The choir performs regularly in and around Sydney, in major venues like the…
Musica Viva Australia today announced that Hywel Sims has been appointed CEO, while Anne Frankenberg will step into the newly created, Melbourne-based role of Deputy Chief Executive. Hywel Sims has been an integral member of Musica Viva’s senior management since 2014, initially as Director of Development and currently as General Manager, Victoria. The new role of Deputy…
Sir Mark Elder conducted La Traviata at Glyndebourne this year. The opera was already performed over 500 times during the 2012-12013 season. In this feature in The Economist, he talks about keeping fresh, these staples of the repertoire.