future directions for symphonic music
The Managing Director of the Melbourne Symphony Orchestra, Matthew VanBeslen, discusses new ways of sustaining “classical” music. (See post on “Where To Next For Symphonic Music?”)
The Managing Director of the Melbourne Symphony Orchestra, Matthew VanBeslen, discusses new ways of sustaining “classical” music. (See post on “Where To Next For Symphonic Music?”)
English director Oliver Mears is to succeed Kasper Holten as Director of Opera at the Royal Opera, Covent Garden from March 2017. It’s an important appointment for fans of Opera Australia given the close collaboration between the two companies. Mears has been Artistic Director of Northern Ireland Opera since it was established in 2010. He…
Violinist Riccardo Minasi is soloist and Guest Director with the Australian Brandenburg Orchestra in its season of ‘Glorious Baroque’ which opened last weekend. Here are four photographs from the opening concerts. ‘Glorious Baroque’ continues on November 2nd, 4th and 5th. See also: http://soundslikesydney.com.au/shows/possum-goes-for-baroque-2/5310.html and http://www.smh.com.au/entertainment/music/an-accomplished-pastiche-with-notes-of-a-fine-merlot-20111030-1mqan.html
Beginning in 2017, Sir Simon Rattle will take over as Music Director of the London Symphony Orchestra. The popular and charismatic conductor now 60, has been the Chief Conductor of the Berlin Philharmonic Orchestra since 2002. Click here to read the full feature.
Having collaborated on the recent production of The Threepenny Opera, conductor and music educator Richard Gill and performer Eddie Perfect have struck another chord in the field of music education: http://www.smh.com.au/entertainment/music/odd-couple-stand-for-classical-ideals-20111015-1lq64.html Checkout also this brilliant presentation by Richard Gill for TEDx 2011 on “The Value of Music Education”: http://www.youtube.com/watch?v=HeRus3NVbwE
Last week soprano Rachel Bate was awarded the Opera and Arts Support Group Vocal Scholarship in the 80th Anniversary McDonald’s Sydney Eisteddfod. Singing Einsam in trüben Tagen from Lohengrin and Pace pace mio Dio from La Forza del Destino, adjudicators John Pringle and Graeme Pushee placed Rachel at the head of the six finalists finishing ahead of New…
The Art Gallery of NSW has a double pass to give away to the May concert in their Resonate series Tyran Parke: Children and art on May 2nd. The concert will be preceded by a champagne reception and private viewing of Afghanistan: hidden treasures. To win the double pass, be the first to email [email protected] with the…