kissin interview
Matthew Westwood of The Australian talks to Evgeny Kissin ahead of his Australian tour.
http://www.theaustralian.com.au/news/arts/evgeny-kissin-one-of-a-kind/story-e6frg8n6-1226116058158
Matthew Westwood of The Australian talks to Evgeny Kissin ahead of his Australian tour.
http://www.theaustralian.com.au/news/arts/evgeny-kissin-one-of-a-kind/story-e6frg8n6-1226116058158
Conductor Riccardo Muti has been named as the second recipient of the biggest prize in classical music – the Birgit Nilsson Prize. The prize of a million dollars, is a bequest of the late Swedish soprano who died in 2005 aged 87. It is awarded every 2- 3 years for outstanding achievement in opera or concert by…
It’s been a quiet week with the Easter break, but Sydney’s concert scene is getting busy again. In the meantime, here’s a retrospective on Opera on Sydney Harbour, and review of Reneee Fleming’s latest CD Poemes: http://www.theaustralian.com.au/news/arts/opera-on-the-water-floats-high/story-fn9d2mxu-1226327245185 http://www.theaustralian.com.au/news/arts/poemes-renee-fleming/story-fn9sulvf-1226323885741
The Offering is a new album release from the Flinders Quartet and pianist Benjamin Martin. Flinders Quartet is one of Australia’s most poplar and highly respected chamber music ensembles. One of its aims is to further the development of Australian chamber music by commissioning and premiering new works by Australian composers: all four pieces on this disc…
Thespian Simon Callow believes that Der Rosenkavalier is Richard Strauss’ most successful opera. “The stage throngs with action, comic intrigues, genre scenes, farce, double cross-dressing, but …..it hinges on moments of the most sublime stillness: the Marschallin’s meditation on time in the first act, the presentation of the silver rose in the second, and that final trio.” Read the…
More on the dire situation at the ANU School of Music: http://www.canberratimes.com.au/act-news/anu-music-head-on-indefinte-leave-as-tension-builds-20120510-1yemu.html
“A great opera experience — intimate or grand, traditional or unconventional — can have a powerful effect…….. But my gut (and the global decline in opera subscriptions) tells me that when opera tries to sex itself up and compete with mega-spectacles, it loses its power to connect with audiences.” A ‘must-read’ from Lindy Hume, past…