A sneak peak at some of the costumes for Madame Butterfly, this year’s production from Handa Opera on the Harbour. Scroll down to see all 5 imges.
Costume Design by Lluc Castells for Cio-Cio San (in white) and friends (in red). Image courtesy of Opera Australia
Tom Service of The Guardian interviews brilliant 27 year old violinist Alina Ibragimova, describing her “trademark wildly imaginative playing, with its combination of unleashed energy and historical awareness”. http://www.guardian.co.uk/music/2012/oct/18/alina-ibragimova-violinist-rawness-energy
Tonight sees the opening in Sydney of Puccini’s Tosca, Opera Australia’s revival of John Bell’s production which premiered in 2013 and was seen again in 2015. The 2017 season sees US-based Romanian-born conductor Christian Badea returning to Sydney to conduct this opera. SoundsLikeSydney spoke to Christian Badea about ‘life with Tosca’ when ths production premiered in…
Tonight, Sydney’s Capitol Theatre hosted the 2014 Helpmann Awards, recognising distinguished artistic achievement and excellence in Australia’s live performance scene. SoundsLikeSydney congratulates all the nominees and the winners. Here are the winners in the Opera and Classical Music categories: Best opera The Melbourne Ring Cycle (Opera Australia) Best male performer in an opera Terje Stensvold for The…
Sydney’s star-gazers could be forgiven for an element of confusion over the next couple of weeks as not one but two moons and two suns float over Sydney harbour. The two gleaming orbs are part of Handa on Sydney Harbour’s 2014 production of Puccini’s Madame Butterfly which opens of Friday March 21st and runs every…
Violinist Christian Tetzlaff, soloist with the Mahler Chamber Orchestra. Yarmila Alfonsetti is a woman with a mission. That mission is to have Sydney on a par with other international cities in its menu of live classical music concerts. As producer of classical music events for Sydney Opera House Presents, a company that is based…
“There are some sacrifices which should not be demanded twice from any man; and one of them is listening to Brahms’s Requiem.” George Bernard Shaw. An entertaining look at just some of the acerbic comments made by critics about what are now regarded as some of the most enduring works in classical music. Click here…