National Review of Opera Companies Announced
Funding of $32 million for the nation’s opera companies is to come under the scrutiny of a three person panel.
Read the feature in The Australian
Funding of $32 million for the nation’s opera companies is to come under the scrutiny of a three person panel.
Read the feature in The Australian
The orchestra pit of the Opera Theatre in the Sydney Opera House wasn’t big enough to accommodate the 86 orchestral musicians required for Opera Australia’s present production of Korngold’s “Die tote Stadt”. Answer: take them off-site and link them to the theatre with video and acoustic technology. Matthew Westwood of The Australian has the full story: http://www.theaustralian.com.au/arts/music/pits-not-up-to-it-so-piped-musics-the-go/story-fn9d2mxu-1226409545488
“The reviewers will face some thorny issues ……..which are “artistic vibrancy”, “ engagement with audiences” and “highest quality … in a financially sustainable way”. Writing in The Guardian, Donald McDonald former chief executive of Opera Australia articulates some of the difficult issues facing the national review of opera companies announced last week.
Sydney Youth Orchestras under the inspiring leadership of Jessica Cottis on the podium brought the audience a celebration of the mercurial genius of Stravinsky, but much more – a celebration of the return to live performance and the exciting artistry of a new generation of Australian classical musicians.
Kathy Evans of the Sydney Morning Herald reports on the memoirs of Richard Gill: http://www.smh.com.au/entertainment/students-the-winners-as-gill-denied-his-concert-dream-20121111-296bh.html
Sir David McVicar’s production of Mozart’s opera Così fan tutte for Opera Australia hits the boards in Sydney in July. Conducted by Jonathan Darlington, it features a glittering cast which includes Nicole Car, Anna Dowsley, Taryn Fiebig, Charles Castronovo, Andrew Jones and Richard Anderson. It also completes the trilogy of Mozart-Da Ponte operas that Sir David has…
The death was announced earlier this evening of Peter Sculthorpe AO, OBE, arguably the best known Australian composer of the day. He was aged 85. His output included works for orchestra, chamber ensembles, solo instruments and choral works. He is possibly best known for his integration of Aboriginal and South East Asian idioms into his writing creating a distinct…