National Review of Opera Companies Announced
Funding of $32 million for the nation’s opera companies is to come under the scrutiny of a three person panel.
Read the feature in The Australian
Funding of $32 million for the nation’s opera companies is to come under the scrutiny of a three person panel.
Read the feature in The Australian
Selby & Friends have added a haunting new piece to their YouTube Channel. The Quartet Movement for Piano, Violin, Viola and Cello in A Minor by a very young Gustav Mahler performed by Elizabeth Layton (violin), Glen Donnelly (viola), Julian Smiles (cello) and Kathryn Selby (piano) from a 2012 program entitled My Song is Love…
There are double passes on offer for the concert by the orchestra of the National Performing Arts Centre from Beijng in China. This is a very young orchestra which was established just this year, and is already undertaking international tours. The concert is on Tuesday 6th November 2012 at 8 pm at the Sydney Opera House. If you’d like…
James Eccles is busy putting together the 2014 Aurora Festival. It is his first as Artistic Director of the event and he has to wear many hats which reach well beyond his role as curator and viola player. Nonetheless, he is ‘thrilled’ to be presenting this bi-ennial celebration of New Music, centred in Sydney’s…
To mark the tenth death anniversary of the legendary dramatic coloratura soprano, Dame Joan Sutherland, Decca Eloquence has released an album Joan Sutherland My Favourites, comprising Dame Joan’s favourite moments in opera and song accompanied by liner notes she wrote herself, including her recipe for Christmas pudding. The selections range from Mozart, through the great…
Sydney’s newest orchestra, the Western Sydney Philharmonic (West Phil) has been launched, giving the young people of Western Sydney an opportunity to learn and play beautiful music in Western Sydney’s very own orchestra.
Antonio Pappano, the director of music at the Royal Opera House has commented that newer generations of oepra singers doesn’t have the mettle to deal with the demands of a career in opera. “Singers don’t have to submit to exploitation. Karita Mattila doesn’t have a brand of perfume or a dessert named after her, or…