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Mozart in art

  If you’re travelling to Europe between now and April, an exhibition by the Salzburg Mozarteum Foundation sounds like a good excuse to visit that city. The exhibition which is entitled Mozart Pictures – Pictures of Mozart displays 12 portraits of the composer. Only 14 were painted of him during his lifetime, and the Foundation…

A Change of Seasons for Vivaldi

Vivaldi’s The Four Seasons, composed in 1723, is so ‘accessible’, it has suffered the fate of overexposure. Its four heady concerti pass through  summer, autumn, winter, and spring, depicting folk life and evocative landscapes in bite-sized chunks. Some of its passages are so instantly recognisable that they have suffered the ignominy of being used as background music in commercials. Enter German-born…

The compulsion to cough

Ever wished homicide on the audience member who leaps to his feet (and it’s usually a ‘he’) shouting “Bravo!!!” even before the sounds of the music have died away?! It can ruin those moments of silence when a final chord can hang in the air, or the precious silence during which you simply want to be alone…

Ensembles inspire movies

Two recent cinema releases focus on the dynamics amongst classical musicians. Click here to read the New York Times feature on Quartet, directed by Dustin Hoffmann and starring Maggie Smith, Tom Courtenay, Billy Connolly and Pauline Collins; and A Late Quartet, directed by Yaron Silberman, starring Philip Seymour Hoffman, Christopher Walken, Mark Ivanir and Catherine Keener.

‘In Britten’s Footsteps’ – the birds that inspired Britten

Sound Recordist Chris Watson has spent a year immersed in the countryside around Benjamin Britten’s home in Suffolk, recording and listening to the birdsongs which inspired the composer. Watson has incorporated these songs with the music of Britten to create a unique new piece called In Britten’s Footsteps which will premiere this February. Watson says “The spatial aspect of…

“A Masked Ball” unmasked

These fabulous images are from Opera Australia’s production of Verdi’s A Masked Ball opens tonight in Sydney. A co-production with Teatro Colon in Buenos Aires, La Monnaie in Brussels and the Norwegian National Opera & Ballet in Oslo, A Masked Ball is presented in association with Sydney Festival. This world première new  was devised by La Fura del Baus, the Catalan theatre…