News

Double Passes To The Launch Of Elysian Fields

There are double passes on offer for the launch of Elysian Fields, a band featuring the electric viola da gamba alongside other modern instruments in the improvised music scene. Formed by renowned gamba player Jenny Eriksson, the ensemble includes Matt McMahon on keyboards, Matt Keegan on saxophones, Siebe Pogson on electric bass and Finn Ryan on drums with guest…

Lloyd van’t Hoff – 2015 ABC Young Performer of the Year

Clarinet player Lloyd Van’t Hoff won the prestigious Grand Final of the 2015 ABC Symphony Australia Young Performers Awards over the weekend, performing Copland’s Clarinet Concerto with the Tasmanian Symphony Orchestra conducted by Johannes Fritzsch at Federation Concert Hall in Hobart. Now 24, Lloyd studied clarinet at the Queensland Conservatorium of Music graduating with Honours in 2011…

George Meets The Orchestra

Grab your kids, nieces, nephews and grandchildren and check out this captivating video from the Sydney Opera House, George Meets the Orchestra in which young George talks to the gifted members of the Sydney Youth Orchestra and conductor Brian Buggy OAM, as he discovers more about instruments and decides which one he is going to…

Australian Brandenburg Orchestra Features in Bond Movie

Premiering in Sydney tonight is the eagerly anticipated new James Bond film Spectre – and the soundtrack has a very special Sydney connection.  The film uses a track from a recording of Vivaldi’s music, made in Sydney in 2000 by German countertenor Andreas Scholl and Australian Brandenburg Orchestra, conducted by its Artistic Director Paul Dyer. The track…

Grigoryans Re-release Rodrigo Guitar Concertos

It was  75 years ago, on November 9 in 1940 that Joaquín Rodrigo’s (1901 – 1999) Concierto de Aranjuez for guitar and orchestra was premiered in the Spanish city of Barcelona. Celebrating the anniversary of this enormously popular concerto, guitarist siblings Slava and Leonard Grigoryan have re-released their CD, Rodrigo Guitar Concertos (ABC Classics 4812231), featuring the three…

‘What’s wrong with the classical concert experience in the 21st century?’

“Because we live in a culture…… where visual stimuli are in the ascendant, sometimes at the cost of sound. Sound is no longer enough…… that music is a worthy pursuit in and of itself is…..being casually dismissed. Classical music now must aspire to offer spectacle – whether a particular piece can take it or not….