Latest news
Free to a good home – when pianos pass their ‘use-by’ date
This somewhat heartbreaking feature in the New York Times looks at the increasing costs of maintaining a quality piano, and the disposabiity of lower end instruments: http://www.nytimes.com/2012/07/30/arts/music/for-more-pianos-last-note-is-thud-in-the-dump.html?_r=1&ref=todayspaper
Madness, death and loss – this tenor never gets the girl
Tenor Stuart Skelton is soon to be performing again in Sydney. This is an interview he have to SoundsLikeSydney last year, on singing Wagner and on some of the characers he has portrayed in opera. If you’re one who believes that in the end, the tenor gets the girl, even a cursory look at the roles sung…
Cuts to school music programmes in Queensland – Simone Young comments
Simone Young is in Brisbane to conduct the Australian Youth Orchestra. She comments on the Queensland state government’s slashing of music education in schools: http://www.theaustralian.com.au/arts/conductor-heats-up-over-axed-programs/story-e6frg8n6-1226436119693
‘Dazzling Virtuoso’ opens in Sydney
Scenes from the opening night of Dazzling Virtuoso – Gabriele Cassone performing the Haydn and Hummel trumpet concerti on the keyed trumpet with the Australian Brandenburg Orchestra.
The New Zealand Symphony Orchestra is safe from cuts
Gramophone magazine reports that the New Zealand Symphony Orchestra will not be axed with the nation’s Arts, Culture and Heritage Minister describing the move as ‘unthinkable’: http://www.gramophone.co.uk/classical-music-news/minister-denies-axing-new-zealand-symphony-orchestra
Music in the middle-east – the thoughts of an iranian pianist
The geographic and ethnic boundaries of Western classical music are being extended. Extended with a purpose. Recently, the Australian Chamber Orchestra featured Palestinian-Israeli pianist Saleem Abboud Ashkar. They played the music of Schubert and Messiaen. Daniel Barenboim and his West-Eastern Divan Orchestra are recording the orchestral works of Beethoven. They have perhaps achieved more towards Middle Eastern reconciliation…
Latest reviews
The Good, the Bad and the Awkward – A new recording from Sally Whitwell
Researching the material for her new album, The Good, the Bad and the Awkward I imagine pianist Sally Whitwell reclining in an armchair in front of her television with a box of truffles and a magnum of French champagne slaving her way through dozens of movie classics. She admits that researching this project, was ‘too much fun’. The Good, the Bad and the Awkward is a…
Towering performances bring ‘Die tote Stadt’ to life
Die tote Stadt, opus 12 by Erich Wolfgang Korngold. Opera in 3 acts with to a libretto by Paul Schott (Julius and E. W. Korngold) after Georges Rodenbach’s novel Bruges la morte. Opera Australia, Sydney Opera House June 30th 2012 It is a fortuitous collision of talent to have an opera composed by a prolific writer of cinematic music, directed by an Oscar…