The Australia Ensemble reviewed
Peter McCallum reviews the Australia Ensemble for the Sydney Morning Herald. (Even the SMH makes typos!)
http://www.smh.com.au/entertainment/music/review/gig/australia-ensemlbe-20120318-1vdnw.html
Peter McCallum reviews the Australia Ensemble for the Sydney Morning Herald. (Even the SMH makes typos!)
http://www.smh.com.au/entertainment/music/review/gig/australia-ensemlbe-20120318-1vdnw.html
Two introduces us to engaging repertoire by important composers of a different time and place. The clever sonic and stylistic pairing of two instruments which are equals yet opposites is a treat.
As the final notes of Ravel’s String Quartet faded, I wondered what might have coursed through the minds of the players in the Australian String Quartet, especially violinist Sophie Rowell and violist Sally Boud who have chosen to go their own ways from 2012. These four musicians have performed together since 2000, the last 5 years,…
Don Giovanni, Mozart /Da Ponte Sydney Conservatorium, Opera School (Cast 1) 13 October, 2018 Music Workshop Sydney Conservatorium Written by Victoria Watson Con Opera presented a true masterpiece of Viennese Classicism, the opera Don Giovanni which followed on Mozart’s success with Le Nozze di Figaro and which was premiered in Prague in 1787. It is a notoriously challenging work…
The Australian Brandenburg Orchestra conducted by Paul Dyer delivered a powerful performance of Mozart’s glorious Mass in C minor, K 427, ‘The Great’. Soloists Sara Macliver and Fiona Campbell were well matched and outstanding. Read Peter McCallum’s reviewin the Sydney Morning Herald and Murray Black’s review in The Australian The performance is repeated Friday May 10th, Saturday May 11th, Wednesday…
Murray Black reviews Sumi Jo’s recital for The Australian: http://www.theaustralian.com.au/arts/music/deja-vu-of-the-best-kind/story-fn9d2mxu-1226519854341
Chancellor’s Concert, Sydney Conservatorium of Music Symphony Orchestra, Verbrugghen Hall March 31 2017 Written by Ria Andriani The fourth in Sydney Conservatorium’s Chancellor’s Concert series, this outstanding performance brought an exciting program which Maestro Eduardo Diazmuñoz had designed as an homage to women in music as composers, performers and as muses. Aptly enough it was…