The Fascination Of Shostakovich
A super feature on Shostakovich by David Fanning in Gramophone Magazine.
A super feature on Shostakovich by David Fanning in Gramophone Magazine.
Vladimir Ashkenazy’s prolific career continues with the completion of a project to record the piano works of Rachmaninov. The latest release on the Decca label (Decca Classics 4785346) contains the Trio élégiaque No. 1 in G minor and the Trio élégiaque No. 2 in D minor Op. 9. Performing with him are violinist Zsolt-Tihamér Visontay, leader of the…
The Sydney International Piano Competition is on again this year from July 6-23. Artistic Director, Piers Lane AO has announced the list of competitors which includes three Australian pianists – Ayesha Gough from Brisbane, Daniel Le from Melbourne, and Hong Kong-born Australian Jeremy So from Sydney. The other contenders hail from 15 different nations including Kazakhstan,…
The 2018 Grammy for Best Opera Recording awarded to Berg Wozzeck — Hans Graf, conductor; Anne Schwanewilms & Roman Trekel; Hans Graf, producer (Houston Symphony; Chorus Of Students And Alumni, Shepherd School Of Music, Rice University & Houston Grand Opera Children’s Chorus) Other nominees: Berg: Lulu — Lothar Koenigs, conductor; Daniel Brenna, Marlis Petersen & Johan Reuter;…
This is a really important feature from theatre critic Jane Howard, writing in The Guardian about the culture of arts criticism in Australia, the loss of “critical dialogue” and a plurality of views. It applies as much to music as it does to the theatre. A recommended read.
If you’re wondering what Vladimir Ashkenazy – one of Sydney’s favourite musicians – has been up to since leaving the Sydney Symphony Orchestra, here’s news of one of his projects: earlier this year, he journeyed to Finland to make a film, Vladimir Ashkenazy on the Path of Jean Sibelius, with the Philharmonia Orchestra of which he…
The Australian Vocal Ensemble (AVÉ) have released their first creative short film inspired by the composition used in the video, Peace I Leave with You, composed by AVÉ’s tenor, Andrew Goodwin.