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Halcyon and Vox Dream and Dance into the 21st century
When the voices of Halcyon get together with the voices of Vox, you can expect a vision of the future. This weekend they collaborate in a programme called Dreams and Dances in which the focus is very definitely on the ‘here and now’ as well as on ‘what’s next’. Halcyon is Australia’s premiere new music vocal ensemble, created…
Opera Australia Appoints Two New Directors To Its Board
The Board of Opera Australia has announced two new members. Joining the board are soprano Greta Bradman and Professor Warren Bebbington AM, Professorial Fellow in Music at the University of Melbourne.
The music that influenced Reich
The ‘Modern Master’ Steve Reich talks to Phil Johnson of The Independent ahead of the world premiere of his new composition, Radio Rewrite drawn from the music of Radiohead. He discusses the musicians who influenced him. For Reich, Baroque and bepop, Coltrane and Classical were simply part of a spectrum, not to be segmented by labels. It is a fascinating…
The Barenboims: the second generation
Musical dynasties have made their mark in music from the days of the Scarlattis and the Bachs, through to the Shankars and the Lennons. Pianist and conductor Daniel Barenboim’s 26 year old violinist son Michael, has for 9 years, been the leader of the West-Eastern Divan Orchestra, (WEDO) created by Barenboim senior as an act of middle eastern reconciliation. The WEDO…
Hot off today’s press –
Review In Search of Haydn screening at the Hayden Orpheum and Roseville cinemas: http://www.smh.com.au/entertainment/movies/in-search-of-haydn-20120314-1v39p.html John Bell talks about the competition for opera from HD cinema productions: http://www.smh.com.au/entertainment/opera/bell-gives-stravinsky-a-rakeover-20120315-1v82g.html and read Peter McCallum’s review of The Song Company’s Love in Venice http://www.smh.com.au/entertainment/music/irresistible-allure-of-sensuality-with-a-light-original-approach-20120315-1v82u.html
Can classical music be cool?
An excellent piece in The Economist Can classical music be cool? on building new, younger audiences for classical music.

