Haefliger/Zinman/SSO reviewed


Ng plies a highly specialised craft, creating the illusion of a small ensemble from a single instrument. He draws on the features of the era, playing the melodic lines as well as enriching the texture with double and triple stops, weaving ornamentation and arpeggiated chords.
Peter McCallum reviews The Song Company’s Sunken Dreams for the Sydney Morning Herald: http://www.smh.com.au/entertainment/music/groups-bent-for-innovation-is-lost-in-fragments-of-sound-20120816-24b7y.html
Beethoven’s Piano Concerto, The Australian Haydn Ensemble, Utzon Room, Sydney Opera House, Monday 29th September 2014. When Daniel Barenboim undertook his recently completed mission to perform and record all of Beethoven’s piano concertos, he did so playing a ‘concert grand’ piano, with a full orchestra – in the case of the recordings, the Staatskapelle…
Handel: Messiah St Mary’s Singers St Mary’s Cathedral, Sydney 6 December 2014 Performances of Handel’s Messiah are a habitual prelude to the Christmas season, with presentations in churches and concert halls throughout the country. Musical styles are as varied as the performance locations, ranging from attempts to recreate original eighteenth century practices to massed…
English tenor Allan Clayton and Australian-born, London-based pianist Kate Golla joined forces for a performance of Winterreise, Franz Schubert’s iconic song-cycle with text by poet Wilhelm Müller, sung in German with English surtitles. This remarkable performance deserves unrestrained acclamation.
Tristan and Isolde – Nina Stemme soprano, Stuart Skelton tenor, Monica Bohinec mezzo-soprano, Tasmanian Symphony Orchestra conducted by Marko Letonja Federation Hall, Hobart November 19, 2016 Written by Deborah Humble The Tasmanian Symphony Orchestra has excelled in a dramatically astounding performance of Wagner’s Tristan and Isolde. Take the scenery, costumes and action away from drama…