Winning young performer
Saxophonist Nicholas Russoniello wins the 2011 ABC Symphony Australia Young Performer of the Year Award.
Saxophonist Nicholas Russoniello wins the 2011 ABC Symphony Australia Young Performer of the Year Award.
Controversy erupted with previews of Benjamin Britten’s latest biography written by the Australian born conductor and scholar , Paul Kildea and published by Penguin. Gramophone magazine has a podcast of Paul Kildea talking to interviewer James Jolly about this major project. http://www.gramophone.co.uk/classical-music-news/benjamin-britten-%E2%80%93-by-his-latest-biographer-paul-kildea
Continuing their 15th anniversary celebrations, The Marais Project’s Director, Jennifer Eriksson, combines with versatile young musicians Susie Bishop (violin, treble viol and voice) and Emily-Rose Šárkova (piano, harpsichord and piano accordion) in their August concert entitled Collusion. Classically trained both in Australia and in Europe, but adept across a range of genres including tango, world…
Pianist Steven Osborne presents his insights into Olivier Messien’s Quartet for the End of Time, a landmark work for piano, clarinet, violin and cello, composed whilst Messiaen was an inmate of a Nazi prisoners of war camp and premiering in that camp in 1941, performed by Messiaen and three other prisoners.
DocsVox – NSW Doctors Choir is excited to announce preparations for its second concert which will be themed around Fauré’s ethereal Requiem. It will be complemented by folk songs and motets, curated and conducted by Anthony Pasquill, with Dr Wei Jiang as soprano soloist. It promises to be a lot of fun with new friendships…
When the voices of Halcyon get together with the voices of Vox, you can expect a vision of the future. This weekend they collaborate in a programme called Dreams and Dances in which the focus is very definitely on the ‘here and now’ as well as on ‘what’s next’. Halcyon is Australia’s premiere new music vocal ensemble, created…
This is an absolutely fascinating animation from the New York Times of the connection between a conductor’s gestures, the responses of the musicians and the sounds that are created. Alan Gilbert, the music director of the New York Philharmonic talks it through: http://www.nytimes.com/interactive/2012/04/06/arts/music/the-connection-between-gesture-and-music.html?ref=classicalmusic#