“No such thing as an ‘overnight success’ in opera” – Dame Kiri
Dame Kiri Te Kanawa is refreshingly honest about the trend to fast-track singers to classical singing without the vital technical foundations.
Click here to read The Guardian.
Dame Kiri Te Kanawa is refreshingly honest about the trend to fast-track singers to classical singing without the vital technical foundations.
Click here to read The Guardian.
The British composer Sir John Tavener has died aged 69. Tavener is well remembered for his ethereal Song for Athene and the unaccompanied four-part choral setting of William Blake’s The Lamb. Many of his works had a religious theme and were infused with ideas from the ancient classics. At school in London, he was a contemporary…
A new album from The Marais Project and Sweden’s Duo Langborn/Wendel, Nordic Moods & Baroque Echoes features tracks that weaves together baroque music, traditional songs and originals by members of the ensemble.
Beginning in 2017, Sir Simon Rattle will take over as Music Director of the London Symphony Orchestra. The popular and charismatic conductor now 60, has been the Chief Conductor of the Berlin Philharmonic Orchestra since 2002. Click here to read the full feature.
Nominations are now open for the 2025 Art Music Awards. APRA AMCOS and the Australian Music Centre (AMC) are calling for members to nominate stand-out Australian art music makers, leaders, works and performances for the 2025 Art Music Awards.
Last week we published the first of a two part interview with emerging conductor Jennifer Condon whose ambition to record Sappho, the forgotten final opera by Peggy Glanville-Hicks has propelled her into the spotlight and into history. Navigating the hurdles, she has landed on the rostrum feet first. The recording was completed last July….
Teddy Tahu Rhodes and David Hobson with pianist Sharolyn Kimmorley are in the midst of a national tour presenting a programme of operatic arias and duets and popular songs. They perform in Sydney on Friday November 4th, in the Concert Hall of the Sydney Opera House. This is a review of the tour which commenced in…