Presenting Opera In Concert
With opera companies facing financial constraints and grappling with new ways of finding funds, Gillian Moore in BBC Music Magazine looks at the merits of presenting opera in the concert hall.
With opera companies facing financial constraints and grappling with new ways of finding funds, Gillian Moore in BBC Music Magazine looks at the merits of presenting opera in the concert hall.
The Australian Brandenburg Orchestra and Choir under Artistic Director Paul Dyer AO, have released a recording of their popular annual Noël! Noël! Christmas concert. This release was recorded live at St Francis of Assisi Church, Paddington NSW in December 2016 and is a Christmas celebration like only the charismatic Paul Dyer and the Australian Brandenburg Orchestra and Choir…
” A CD that displays my music making abilities and music that is rare” is how mezzo-soprano Fiona Campbell describes her latest project, Love + Loss, a debut solo recording of three cantatas by Alessandro Scarlatti, Joseph Haydn and George Frideric Handel. It’s an achievement of which she is justifiably proud. Her performance earned high praise from…
Jenny Eriksson, founder and artisitic director of The Marais Project, writes about their upcoming concert. ‘The Art of Monody.’
The Fractured Orchestra Project is a collaborative composition by members of the 550-strong Sydney Youth Orchestras, and the end result is now available online. The Fractured Orchestra is a multi-faceted creative project commissioned by the Sydney Youth Orchestras. Over 3 months in winter 2020 during the height of COVID-19 lockdown in Sydney, Australia, the musicians…
As part of the Benjamin Britten centenary this year, the British Library has made available online, digital images of a comprehensive range of Britten’s original scores, along with annotations. Choral, instrumental, opera, incidental music – it’s all there. Click here for the link to The British Library’s Digitised Images page.
On the eve of his departure as Musical Director of the Sydney Chamber Choir, Paul Stanhope confesses that his initial efforts at programming were akin to ‘bolting out of the starting blocks’, curating an adventurous concert which he recalls attracted only a small audience. A decade on, talking to SoundsLikeSydney, he says he has learnt…