The future of arts leadership in Australia
What does it take to lead a successful performing arts organisation – and is Australia grooming the next generation of leaders?
Matthew Westwood reports in today’s The Australian.
What does it take to lead a successful performing arts organisation – and is Australia grooming the next generation of leaders?
Matthew Westwood reports in today’s The Australian.
“It was the football boots that drew them in” says Michael Sollis. “The moment we drew their attention to my old football boots on the stage, they were completely engaged and listening.” I am speaking with Michael Sollis, newly appointed inaugural Artistic Director of Education at Musica Viva’s Music in Schools education programme and Sollis…
Last Saturday night, the Green Room of the Sydney Opera House was buzzing as performers from various companies prepared for the evening’s shows. Shortly before 7.30, the cast of the La traviata company received their call to the stage. Amongst those summonsed was Anthony Legge, Associate Music Director at Opera Australia who has been conducting…
Best Orchestral Performance, 2018 -The Pittsburgh Symphony Orchestra conducted by Manfred Honeck for Shostakovich: Symphony No. 5; Barber: Adagio. This recording was also judgedthe Best Engineered Album, Classical for Sound Engineer Mark Donahue. Other nominees Concertos For Orchestra — Louis Langrée, conductor (Cincinnati Symphony Orchestra) Copland: Symphony No. 3; Three Latin American Sketches — Leonard Slatkin, conductor…
Reviews of AnneSophie Mutter with the SSO: http://www.smh.com.au/entertainment/review/gig/sydney-symphony-with-annesophie-mutter-20120401-1w6ed.html http://www.theaustralian.com.au/news/arts/intelligence-and-technique-combine-for-a-sublime-performance/story-e6frg8n6-1226315731944 The Opera Conference: http://www.theaustralian.com.au/news/arts/keeping-opera-on-song/story-fncypcd0-1226314701379 Red Dog has its day – as a musical: http://www.smh.com.au/entertainment/musicals/a-big-day-for-a-barking-idea-20120321-1vkf5.html Tim Teeman from The Times interviews Stephen Sondheim. Sondheim talks about his childhood and some of the experiences that have made his lyrics so incisive and his music so poignant: http://www.theaustralian.com.au/news/world/stephen-sondheim-is-back-on-the-bike-with-a-new-musical/story-fnb64oi6-1226312296318
Kathryn Stott has been appointed as Artistic Director of the Australian Festival of Chamber Music (AFCM) for its 2018 – 2020 Festivals, following the departure of the incumbent Artistic Director, Piers Lane AO. Piers Lane has been at the helm of this prestigious festival for 11 years. The 2017 festival will be his last as…
All Things Majestic wins again for the 2018 Best Classical Compendium: Higdon: All Things Majestic, Viola Concerto & Oboe Concerto — Giancarlo Guerrero, conductor; Tim Handley, producer Other nominees: Barbara — Alexandre Tharaud; Cécile Lenoir, producer Kurtág: Complete Works For Ensemble & Choir — Reinbert de Leeuw, conductor; Guido Tichelman, producer Les Routes De L’Esclavage —…