The future of arts leadership in Australia
What does it take to lead a successful performing arts organisation – and is Australia grooming the next generation of leaders?
Matthew Westwood reports in today’s The Australian.
What does it take to lead a successful performing arts organisation – and is Australia grooming the next generation of leaders?
Matthew Westwood reports in today’s The Australian.
The first online choir competition of INTERKULTUR, the INTERKULTUR Video Awards has ended after 128 virtual choir videos from 44 countries were submitted in two categories “Choirs A Cappella” and “Choirs with Accompaniment”. The winner in the “Choirs A Cappella” category was the Chor der Technischen Universität Vienna, Austria, singing “Some Nights“ by Nate Ruess,…
Simone Young is in Brisbane to conduct the Australian Youth Orchestra. She comments on the Queensland state government’s slashing of music education in schools: http://www.theaustralian.com.au/arts/conductor-heats-up-over-axed-programs/story-e6frg8n6-1226436119693
Daniel Barenboim has many facets as a musician. He i a conductor, pianist, and was the spouse and performing partner of the late Jacqueline du Pre. Perhaps however, it is his role as a bringer of peace that will have the widest impact amongst those who appreciate music and even those who don’t. Last weekend his West-Eastern Divan…
So Silvio Berlusconi has finally stepped down. Recently, Alex Ross wrote about the indifference of the Berlusconi government to supporting the arts in Italy. (1) Ross also makes reference to the unprecedented action by Riccardo Muti, conducting Nabucco halted the performance and spoke to the audience about the situation. The response from both the chorus and the…
Part 1 of two-part interview with emerging Australian conductor Jennifer Condon. Nearly 12 months ago, 28 year old Jennifer Condon visited Sydney to garner support for a project fired by a passion that has burned in her for the best part of a decade. During her final year of school in Sydney, she heard a fragment of…
The dreaded ‘C’ word. Not ‘Classical’, but ‘Crossover’. The very name implies an abandonment of values, of stepping over to the dark side, of crossing the floor. Regarded by ‘classical’ followers as lightweight, and by ‘pop’ afficionados as a wolf in sheep’s clothing, ‘Crossover’ is like a bastard child, desperately wanting to belong whilst simultaneously trying to shape…