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A New Concertmaster For The AOBO
The Australian Opera and Ballet Orchestra has a new concertmaster. Laura Hamilton has taken up the position in Australia after working as Principal Associate Concertmaster at the Metropolitan Opera since 1999. Whilst there she led many of the popular “Live in HD” videocasts, including Carmen, Parsifal, Turandot, Faust, Salome, and Madama Butterfly. Laura is graduate of…
This Week From The Met
This week’s complimentary opera performances from the Metropolitan Opera: three operas inspired by Shakespeare—including Gounod’s Roméo et Juliette, starring Anna Netrebko and Roberto Alagna, two classic archival telecasts and Rossini’s madcap Il Barbiere di Siviglia and a dreamy performance of Strauss’s Der Rosenkavalier, starring Renée Fleming as the Marschallin. Each stream becomes available at 7:30PM…
NY Times lauds an Australian composer
Australian composer Nicholas Vines has received a ringing endorsement by no less a journal than The New York Times, for his composition for clarinet and piano, Rustling the Deities. Performed by the “superb new-music ensemble counter)induction” (Allan Kozinn in The New York Times), this review happily supports the release last week of the debut recording of Vines’ music Torrid…
How It All Began: Nicholas Routley On The Sydney Chamber Choir
A decade after Nicholas Routley, the founding director of the Sydney Chamber Choir has left the ensemble he created, there is still a powerful nexus between them. Talking about the choir’s upcoming 40th anniversary concert this weekend, which he will conduct, Nicholas Routley muses “I don’t know whether to say ‘we’ or ‘they’ since I…
Joshua Adams Wins Isabel Menton Composition Prize
Joshua Adams from Perth has won the 2018 Isabel Menton Composition Awards as announced by the Australian Catholic University (ACU). The award is for unpublished and previously unperformed choral works, valued at $1,500. Adams’composition In Id Ipsum Invicem was selected ahead of God is with Us by Fiona Dyball from Melbourne who won $500. Samantha Allen-Craig from…
The Con Commemorates Its centenary with Bernstein’s Mass
The Sydney Conservatorium of Music, fondly known as “the Con” turns 100 in 2015! The iconic castle-like building with its distinctive turrets, sitting on the historical site of Sydney’s first bakery, housed Governor Macquarie’s horse stables in the 1800s and was then turned into a prolific music school in 1915. It will celebrate this historic…