The Sydney Symphony Orchestra has a new CEO beginning 1 January 2018, and it’s Emma Dunch.
Emma Dunch, originally from Sydney, has worked in arts administration for over 2 decades. She returns from New York where she has lived since 1999 and most recently headed DUNCH – a cultural management firm she founded in 2008 that has advised more than 125 creative organisations across the USA, UK and Australia.
“….the biggest losers of this stale safety bias will be Australia’s opera makers of tomorrow. When a culture of predictability and drab conservatism finally atrophies the expectations of the opera-going public, artists attempting to escape from that trope will likely be met with hostility.” Maxim Boon in The Guardian takes a refreshingly honest view of…
Tom Service of The Guardian interviews brilliant 27 year old violinist Alina Ibragimova, describing her “trademark wildly imaginative playing, with its combination of unleashed energy and historical awareness”. http://www.guardian.co.uk/music/2012/oct/18/alina-ibragimova-violinist-rawness-energy
Sydney’s Ensemble Offspring celebrates its 25th anniversary with Songbirds, a new album of contemporary Australian music that celebrates birds – nature’s own composers. Released on the ABC Classic label, Ensemble Offspring’s new album, Songbirds, is a beguiling collection of chamber works for flute, clarinet and vibraphone inspired by butcherbirds, blackbirds, lorikeets and leafcutter ants, frogs…
Opera Australia’s innovative production of The Rabbits comes to Sydney, opening on January 14, 2016 and running till January 24, 2016 at the Roslyn Packer Theatre. Suitable for families and children aged 8+, the production has already had great success at the Perth Festival and during its Melbourne season earlier this year. It won four Helpmann…
“They might write it but darling, I don’t read it – I don’t need it”. So says the legendary soprano Jessye Norman in this excerpt from a no-holds-barred interview with Stephen Sackur of BBC’s HARDtalk. She also gives her views on the selection of singers based on their appearance over their ability to sing a…
Created in 1959 by Richard Rodgers and Oscar Hammerstein ll and set in Salzburg, the musical The Sound of Music will finally be seen for the first time in the city where it is set. The BBC looks at why this phenomenally successful stage show has taken so long to come home. http://www.bbc.co.uk/news/magazine-15402618