Update on the ‘Ring’
Click here to read Matthew Westwood’s update on the Melbourne Ring cycle in The Australian.
Click here to read Matthew Westwood’s update on the Melbourne Ring cycle in The Australian.
The May edition of SoundsClassic, our complementary monthly newsletter featuring the best of SoundsLikeSydney and of Classic Melbourne is out next week. Make sure you’re on our mailing list by subscribing from the top of our home page or our Facebook page. We’d love to hear your thoughts and we’d love you to tell your friends…
Pianist Lang Lang, releases a new solo album tomorrow. Piano Book’ is a collection of pieces which first inspired him to play the piano and led him on his path to international stardom. The recording, his first new studio album in three years, marks his return to Universal Music Group and Deutsche Grammophon – the label…
Max Richter has written a new piece which pays homage to Beethoven with the release of its world premiere recording on the 250th anniversary of Beethoven’s birth. Beethoven – Opus 2020 is a new orchestral work was commissioned by the Beethoven-Haus Bonn, which will host the world premiere performance on the eve of the anniversary….
The Jacobean Singers Inc is looking for a new music director to replace our existing director who is going to the US. We are looking for an experienced choral conductor /organist. The Choir has an extensive library and over the past fifteen years has built up a repertoire of sacred and secular music from Renaissance…
The dreaded ‘C’ word. Not ‘Classical’, but ‘Crossover’. The very name implies an abandonment of values, of stepping over to the dark side, of crossing the floor. Regarded by ‘classical’ followers as lightweight, and by ‘pop’ afficionados as a wolf in sheep’s clothing, ‘Crossover’ is like a bastard child, desperately wanting to belong whilst simultaneously trying to shape…
Wynton Marsalis’ Blues Symphony (Symphony No. 2) is now available exclusively on digital platforms.
Performed by the The Philadelphia Orchestra under the conducted by Cristian Măcelaru, the piece is a celebration of the blues refracted through the prism of American history and folklore.